Sweeney Todd takes the stage

By Lethbridge Herald on March 20, 2026.

By Joe Manio

Lethbridge Herald

The razors are sharp, the music is haunting, and a dark classic is taking centre stage in Lethbridge.

For the first time, the Lethbridge Symphony Orchestra and Little Lethbridge Opera Theatre are joining forces to bring Sweeney Toddto life — and death — at Southminster United Church. Opening night on Thursday sets the tone for a production that blends operatic power with theatrical intensity, offering audiences a fresh take on one of musical theatre’s most chilling tales.

Directed by Megan Wittig and Lisa Stanford, the production marks a notable first for the symphony and its collaborators, who have not previously staged Sweeney Todd together. The pairing of full orchestral backing with operatic voices promises a rich, immersive sound — one that leans into the sweeping, dramatic score that has made the musical a favourite for decades.

Originally rooted in 19th-century London folklore, the story of Sweeney Todd has evolved through penny dreadfuls, stage plays and eventually into the now-iconic musical by Stephen Sondheim. The tale follows a wronged barber who returns from exile seeking revenge, only to spiral into madness as his quest unfolds along Fleet Street. Dark, complex and laced with biting social commentary, the story has long captivated audiences with its mix of horror and dark humour.

Over the years, Sweeney Todd has seen numerous revivals on both Broadway and London’s West End, cementing its place as a cornerstone of modern musical theatre. Its reach extends beyond the stage as well, most notably with the 2007 film adaptation directed by Tim Burton and starring Johnny Depp in the title role — a version that introduced the story to an even wider audience and earned multiple award nominations.

What sets this Lethbridge production apart is its scale and collaboration. By combining the talents of the Little Lethbridge Opera Theatre with the full force of the symphony orchestra, the show aims to highlight both the musical sophistication of Sondheim’s score and the emotional weight of the narrative. It’s a demanding piece — vocally, musically and dramatically — but one that offers significant payoff when all elements come together.

Audiences attending opening night can expect a performance that leans into atmosphere as much as storytelling, with the intimate setting of Southminster United Church adding to the production’s intensity. With doors opening 30 minutes before each performance, organizers are encouraging attendees to arrive early and settle in ahead of the curtain.

Following Thursday’s debut, the production continues with an evening performance Friday at 7:30 p.m., along with two shows on Saturday — a 2 p.m. matinee and a 7:30 p.m. evening performance — giving theatre-goers multiple chances to experience this dark and enduring classic live on stage.